In re-viewing our super eight films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastim黑天鹅 颜月溪es, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and wit唐人街探案3时长h history, to convey the taste and colour of those years.
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